Box 51
Contains 16 Results:
Conductor score, September 24, 2008
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.
Conductor score, October 30, 2008
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.
Trombone and piano separation, July 27, 2010
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.
December 2010, December 2010
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.
Manuscript score, circa September 2011
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.
Conductor score, circa 2011
This collection represents the creative works of Jonathan Leshnoff, composer and Towson University faculty member. Works begin in 1987 and continue into the present. The materials consist largely of musical sketches, drafts, and scores. Other materials include correspondence, composition references, ephemera, and recordings.